@galena@noyoushutthefuckupdad@coolboymew To be fair, most of this isn't so ridiculous. A lot of technology is not as complex as we like imagine, and even what we'd consider primitive people often had access to lots of surprising raw materials. Primitive tech does not need to compete with modern tech to be useful, it just needs to out perform everything else in it's place.
The bigger issues are:
>The timescales involved with making something, without a single mistake in the design. >Lack of trained craftsmen/economy of scale. There should be no way that Senku could have made working vacuum tubes, even if he had all of the materials and knowledge needed to do it. >There is no way anyone could remember how to do all of that stuff perfectly.
But the point of a show like Dr. Stone isn't to be realistic. It's about a kid who is an unparalleled genius showing us how technology works at a very basic level.
@Elliptica@galena@coolboymew@noyoushutthefuckupdad Isekai in general is extremely formulaic about the inventions they bring out: water pump, skin products. Dr.Stone at least has the variety. It pays for it with a loss of the "magical realism" aka fidelity. One other work that took an interesting middle ground was "Sengoku Komachi Kuro-tan"[1]. It had all kinds of low-tech equipment to grow rice, which only took knowledge and absolutely was plausible. Frankly it was shocking that it took until 19th century to invent some of it.
@anime@galena@Elliptica@noyoushutthefuckupdad the convo came in the podcast because we said that Ascendance of a Bookworm had some pretty realistic knowhow so far, something an average person could actually know
@Elliptica@anime@galena@coolboymew >that no one touches Mushoku Tensei is the best isekai I've seen. It does so many things right, it's shockingly good in an oversaturated genre.
@anime@galena@coolboymew@noyoushutthefuckupdad And that stuff I wouldn't have much of an issue with. Being honest, I don't think most of the isekai I've read have actually trotted out engineering and reinvention as a plot device, at least not as a way to seriously advance the plot. What I've noticed more of is something along the lines like "I read my high school government text book, I can totally solve your political crisis, small nation that I was summoned to." These stories lack the wonder of actually being in a strange new world. Instead it's just a power fantasy for the reader with "modernist supremacist" themes, that we are smarter than our ancestors because we were born today and not then.
Isekai has a seriously untapped potential for story telling that no one touches. It's a shame that it's already played out.
@noyoushutthefuckupdad@anime@galena@coolboymew Mushoku Tensei is good, but I think it's because it actually gives the main character a character. He has a back story, problems to work through. And same with the other characters The story itself doesn't diverge much from the usual formula.
I've had this story idea bouncing around my head for almost 2 years now, the basic idea is isekai a bunch of people who all knew each other and have them be reborn and raised in another world. How would they change? Would they still honor their friendship to you, or would they be totally devoted to their new life and relationships? I really like this idea of "this guy was once my best friend, but now I don't know if I can trust him, because we're technically from two rival nations now."
This is to say, I don't really know of too many isekai that play around with the genre like that.
@noyoushutthefuckupdad@Elliptica@anime@galena@coolboymew Now and Then, Here and There is pretty good for an isekai Also Faraway Paladin. FP doesn't really do the whole "I am going to become famous and have bitches hang off my dick because I make a magic cellphone," shit. It is more about the cycle of reincarnation and the MC adapting to the world rather than making the world adapt to Reiwa Japanese sensibilities. Also it has amazing world building.
@coolboymew@anime@galena@Elliptica@noyoushutthefuckupdad How far behind are you? Like they are reaching the end of the third or fourth arc already. Honestly it just keeps getting better. I aint going to spoil it for you but the last few issues have been insanely hype and the arc hasn't even reached its peak.
@coolboymew@anime@galena@Elliptica@noyoushutthefuckupdad Yeah bro, we are way past that. Also if they are cramming all the way to there into a single cour they are fucking up. The entire first cour should have been Will's childhood and culminated with the battle against Stagnant. They are cutting a LOT of corners and it isn't going to be for the best.
@coolboymew@anime@galena@Elliptica@noyoushutthefuckupdad Wow, they fucked up hard. Did they try to make it an action series or something? It is a very slow and methodical story about the isekai world that a man from our world has coming to terms with as he tries living up to the values his adopted parents taught him. Some arcs are action based, but for the most part there is a huge focus on world building. From politics, to religion, magic, the customs and cultures of different races; it is all focused on trying to make this other world as fleshed out as possible so that narrative can focus on Will's attempts to understand it with the framework of his outsider's perspective.
@Elliptica@noyoushutthefuckupdad@anime@galena@coolboymew A sort of half-assed attempt at handling that idea was in the later "Reincarnated as Spider" Lnovels, where after 18+ years, a whole classroom worth of kids ,who are all big heroes at various kingdoms and factions, meet and discover that the greatest enemies of their nations are often their former friends. Tho that story rarely developed it beyond >"Kisame! You were my classmate once, how could you be a monster and kill humans!?!?!" >"Its the only way, also i was born a monster. But i guess that is pretty messed up." >"Come, Kisame! Stop and surrender! Somehow, i will promise not to kill you." >"lol no."
@coolboymew@anime@galena@Elliptica@noyoushutthefuckupdad And also not quite right. A cour is a calendar season, the reason it is used instead of season is because in anime a season refers to a single production run, with some anime seasons lasting multiple cours. I don't know how common it is now, but back when I stopped watching anime most anime seasons were two cour.
@ulperioleri@noyoushutthefuckupdad@anime@galena@coolboymew That's one of the big ones that inspired me. I didn't really like how it handled much of any of it because it was half assed, and I wanted that story done right. I've said it many times already, but the sad part about Kumo Desu is the plot is really more about subverting isekai tropes than it was actually wanting to tell a story. So it landed on these great ideas, and did nothing with them
There is another much older story (circa 90's) that played with people switching bodies (and loyalty with it) that did this much better overall, but it's not an isekai.
@coolboymew@anime@galena@noyoushutthefuckupdad Ascendance of a Bookworm is one of my favorite isekai for that reason. She wants to make paper, something she knows exists and knows a little about, but doesn't actually know how to make it. Then most of the story is about trial and error.
@noyoushutthefuckupdad@anime@galena@Twoinchdestroya@coolboymew In think it's just a bit too much for me to do all at once. I should focus on writing shorter stories before I try to write some grand epic. Also, I need to accept my own advice and realize that whatever I write will probably trash for now thanks to my lack of experience. I shouldn't be afraid to ruin a good idea and baby it instead, because hopefully I'll get better ones later on.
@anime@galena@Elliptica@coolboymew@noyoushutthefuckupdad "Creature Girls: A Hands-On Field Journal in Another World" does it very well. Gunpowder, coal, and engines are banned from the start, so all the tech that's invented is wooden mechanical da-Vinci stuff. Also a lot of basic survival bushcraft is shown to the reader. Taishi's character arc of being "incentivized" to share his knowledge to a kingdom by whore maids who hate him, making him run away to return to monkey with his goblin bros, then becoming the demon lord is one of the most fun character arcs I've ever read in manga.
@noyoushutthefuckupdad@anime@galena@Elliptica@coolboymew It also has speculations about the anatomy of monsters and monstersgirls, and their non-human societies at the same depth as the inventions. Also anti-feminist monstergirls and lots of sexo.
To be clear, I know that my definition of isekai differs from most peoples. To me, it's a story where the main character gets trapped in another place/world/time without easy access back to his old world, and so has to live there. The fact that he's trapped in this place has to be the main focus of the story.
@anime@galena@coolboymew@noyoushutthefuckupdad I've not read it, actually I've not read much of anything from Jules Verne except Twenty Thousand Leagues Under the Sea when I was in middle school.
It's a bit reddity, but 'The Martian' is another good example of it done right. Resources available to the main character are state at the start, so nothing feels like it came out of nowhere.
@noyoushutthefuckupdad@anime@galena@coolboymew Oh, I also think the old Ultima games are isekai. Main character gets transported from Earth to another world. It's also potentially a transmigration story, since the main character can be an Elf, and I don't there are too many elves walking around here.
@noyoushutthefuckupdad@anime@galena@coolboymew Two of the earliest Sci-fi novels were isekai-ish. Somnium is about an astronomer who gets transported to the moon by his witch mother. Blazing World is a villainess story about a princess who gets transported to a different world, becomes their god, and goes full Dr. Stone.