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And I'm not even kidding about the monogamy thing. If it weren't for the obvious negro idolatry that's crammed into the album and the attendant gorilla smut lyrics sporadically injected into it there's probably not a whole lot more you can actually moralise about other than bikini videos and twerking.
Compared with the junglemumbling niggercattle afroslop that has been shit out of the jewish record industry for the last fifteen years, the lyrics themselves are nearly christian rock levels of tame.
- Kenny Blankenship likes this.
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The irony of saying "i mean it's fine except for all the sheboons twerking and nigger rap and gorilla thumping and shieeet" is not lost on me, of course. The whole thing is audio goyslop at best, but all these queers and bluehairs shitting and farting over it is kinda funny.
Even the slightest sign of easing off the western degeneracy pedal, even the tiniest bit of deceleration to bring us back to 2009 levels of cultural rot, is met with bloodcurdling screeches.
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This Katy Perry drama is pretty funny. Femoids are getting mad about a shitty pop album because it's not making a definitive "feminist" statement.
I skimmed through the songs out of interest and they're all pretty bog standard pop music with a healthy dose of American nigger worship, but the consistent theme is celebration of the feminine and, interestingly, monogamy. Keeping male attention to the exclusion of others.
For the artist to come out and say "no, no, you don't understand, this is a feel-good parody of girlbosses", and the predominant theme of much of the lyrics being "I love my man, hoes go away" is a pretty funny indictment of retarded girlboss itty bitty titties and a bob bullshit culture.
dick flattening enthusiast
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