Notices by Kye Fox :veripanda1: (kye@tech.lgbt)

Kye Fox :veripanda1: (kye@tech.lgbt)'s status on Tuesday, 13-Jun-2023 05:19:34 JST Kye Fox :veripanda1:
- Aral Balkan
@aral Seems like your kind of jam, and looks like it emerged completely independently with the same name, which is neat and shows how many people want it
https://communitywiki.org/static/SmolNet.html
https://news.ycombinator.com/item?id=36292078

In conversation Tuesday, 13-Jun-2023 05:19:34 JST from tech.lgbt permalink
Kye Fox :veripanda1: (kye@tech.lgbt)'s status on Saturday, 01-Apr-2023 04:04:40 JST Kye Fox :veripanda1:
in reply to
- Hannah
@scatty_hannah Also good to remember people can be NB and trans, and that NB is very different from gender neutral and can include aspects traditionally seen as belonging to binaries.

In conversation Saturday, 01-Apr-2023 04:04:40 JST from tech.lgbt permalink
Kye Fox :veripanda1: (kye@tech.lgbt)'s status on Monday, 06-Feb-2023 03:22:34 JST Kye Fox :veripanda1:
- Andrew (Television Executive)
@ajroach42 This seems like your kind of thing. A list of early color films with the color process and status of the original film. https://en.wikipedia.org/wiki/List_of_early_color_feature_films
In conversation Monday, 06-Feb-2023 03:22:34 JST from tech.lgbt permalink
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1. List of early color feature films
  
  This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major-studio favorite. About a third of the films are thought to be lost films, with no prints surviving. Some have survived incompletely or only in black-and-white copies made for TV broadcast use in the 1950s. Background The earliest attempts to produce color films involved either tinting the film broadly with washes or baths of dyes, or pains-takingly hand-painting certain areas of each frame of the film with transparent dyes. Stencil-based techniques such as Pathéchrome were a labor-saving alternative if many copies of a film had to be colored: each dye was rolled over the whole print using an appropriate stencil to restrict the dye to selected areas of each frame. The Handschiegl color process was a comparable technique. Because transparent dyes did not impact the clarity or detail of the image seen on the screen, the result could look rather naturalistic, but the choice...

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Notices by Kye Fox :veripanda1: (kye@tech.lgbt)

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